Mostly reprinting here what I said on FB:
Amy Adams and Jennifer Lawrence in dueling cleavages. An ending which makes The Sting's look straightforward. Christian Bale learning a Bronx accent little by little until by the closing voice-over he sounds like he was born under the bleachers of Yankee Stadium. Bradley Cooper winning this year's award for Most Overacting in a Feature Film. And the hair. This movie is all about the hair. My hat is off (so to speak) to:
Kristen Barry ... hair colourist / hair stylist
Stacey Butterworth ... wig maker: Jennifer Lawrence
Elizabeth Cecchini ... hair stylist
Kathrine Gordon ... department head hair stylist
Raul Hernandez ... hair stylist
Michelle Johnson ... assistant hair department head
Amanda Miller ... wig maker
Shayna Passaretti ... additional hair stylist
Emma C. Rotondi ... hair stylist
Rene Vaca ... assistant department head hair stylist
and to Jeremy Renner for rocking a classic Elvis do, as well as portraying the challenging role of sincere politician.
Amy and Jennifer ran through lots of costumes, most of them very sexy. The men's outfits did not work for me - the costumers made too big an effort to not dress any two people the same, in an era where most men did dress the same. The FBI supervisor's boss looked more like a mobster. The supervisor looked more like a farmer making a court appearance.
Schemes within schemes within schemes, and a who's doing what with/to whom with whom (or is it who?) to make your head spin. It's a long movie, 138 minutes, but I only wanted to check my watch twice (but I wasn't wearing one).
Excellent acting, directing, cinematography and a soundtrack made up of pop music of the disco era, often with a mean sense of humor. Almost fell out of my seat when they played "White Rabbit" in Arabic. The original parts of the score were spot on, by quadruple Oscar nominee and Emmy winner Danny Elfman. Audio was mostly excellent, there were a few lines which I couldn't hear. There was one scene showing Amy from the back which was probably done with her stand-in, because it was out of sync (her head was moving in the wrong way for the words she was speaking). Those scenes are shot blind - they are easy to screw up.
Some great character acting by Paul Herman as the mobster lawyer, Elisabeth Röhm as the sincere politician's wife, and an uncredited Arabic-speaking Robert De Niro.
Worth full price.